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Coloratura soprano PATRICE BOYD has performed in opera, concert, and musical theatre throughout the United States, Europe, and Asia. Miss Boyd's diverse credits include the Teatre del Liceu in Barcelona, the Teatro Massimo in Palermo, the New York City Opera, Opera Camerata of Washington, DC, the Central Philharmonic Orchestra of Beijing, the Empire State Opera, the Light Opera of Manhattan, and the New York Repertory Orchestra. Her roles include Zerbinetta in Ariadne auf Naxos, Marie in La fille du régiment (under Richard Bonynge), Christine in Phantom of the Opera, Yum-Yum in The Mikado, the title roles of Lakmé; and Lucia di Lammermoor, Madame Herz in The Impresario, the Queen of the Night in The Magic Flute (a role she has sung many times to great acclaim), and Gilda in Rigoletto, for which the New York Times praised her "shining soprano tone and effortless upper register" and added, "She is a singer who bears watching."

Miss Boyd recently returned to the Piccolo Spoleto Festival for her third consecutive season, appearing as Constanze in Die Entführung aus dem Serail with the Charleston Symphony Orchestra under the baton of Metropolitan Opera conductor Gregory Buchalter. The Charleston Post and Courier praised her "control and lyric phrasing [of this] beautiful and difficult music" and the Charleston City Paper called her "the real deal."

Very much at home in contemporary music, Miss Boyd created the role of a feminine March Hare in Giampaolo Testoni's Alice in Palermo, and has sung the New York premieres of Philip Seward's comic operas High Fidelity (Merkin Hall) and Les dames á trois...et piano (Kaye Playhouse) of which ...And Piano Make Three, featuring the role of Sarah, was written for her (she created the role for its Chicago premiere). Miss Boyd reprised her performance as Sarah in 2007 at the Edinburgh Fringe Festival.

A native of South Carolina, Miss Boyd has developed several programs for the Historic Charleston Foundation; her original recital, An Evening at Pemberley: The Music of Jane Austen's Heroines, was featured in New York Magazine and has been performed to sold-out audiences in the United States and Canada, with upcoming United Kingdom performances slated for Edinburgh in August 2008 and London in Spring 2009. As cantor at St. James Cathedral, Miss Boyd appears frequently on television in the New York area. She is currently completing her dissertation for the Doctor of Musical Arts degree in Vocal Performance at the City University of New York.


Joan Krueger

JOAN KRUEGER was named "2004 Coach of the year" by Classical Singer magazine. She has accompanied such artists as Cecilia Bartoli, Sumi Jo, and Vinson Cole through her association with New York's Mostly Mozart Festival, and was seen on A&E's Breakfast With The Arts, accompanying soprano Carol Vaness. Ms. Krueger has performed collaborative recitals in Avery Fisher Hall, The Metropolitan Museum of Art, The United Nations, Weill Recital Hall, the Donnell Library and numerous other venues in the New York City area where she maintains an active coaching studio. She has been an Assistant Conductor for the Sarasota Opera, Music Director for NYU's Opera Workshop, and on the faculty of the Intermezzo Opera Festival.

Ms. Krueger is the pianist for many prestigious vocal competitions including the Gerda Lissner Foundation Competition, the Fritz and Lavinia Jensen Competition, and the Chester Ludgin Verdi Baritone Competition. She was recently a judge for the Classical Singer Vocal Competition. Ms. Krueger is on the faculty of Martina Arroyo's Prelude to Performance and the Westchester Summer Vocal Institute. She has been a guest artist at many U.S. Universities and Conservatories. Currently on the faculty of State University of New York at Purchase, Ms. Krueger teaches French and Italian Diction, Operatic Styles and coaches. She received her Bachelor of Music Degree from Michigan State University and her Master's Degree from the University of Michigan.


FIONA PATERSON began studying flute with Sheena Gordon at the Junior Royal Scottish Academy of Music and later at the Music School of Douglas Academy. Last year she graduated with a 1st class BMus Honours degree from the Guildhall School of Music and Drama. She has recently completed a post-graduate year at the school, studying with Sarah Newbold, Philippa Davies, Ian Clarke and Sharon Williams. Fiona regularly plays with the Royal Liverpool Philharmonic Orchestra and the Brandenburg Sinfonia and is principal flute with Camerata Scotland, Nyos Futures, the Joint Guildhall and Royal Academy of Music Symphony Orchestra, Guildhall Symphony Orchestra and piccolo with the Young Musicians Symphony Orchestra. In NYOS Futures last October, she played in a recording for BBC 3 with the BBC Scottish Symphony Orchestra. Fiona recently was part of the London Symphony Orchestra Ensemble and the LSO Wind Academy.

Solo performances include recitals around the UK, most notably in St Martin in the Fields, London, the Stratford upon Avon Music Festival, Chipping Camden Music Festival and the Hampstead and Highgate Festival. Concerto performances include the Nielsen Flute Concerto and the Mozart Flute Concerto in G, both with the Marion Chamber Ensemble in Hamilton.

Competition and scholarship successes include the coveted 'Needlemakers Wind Prize' at the Guildhall, the 2008 NYOS Staffa Award see Herald article, the Albert Cooper Flute Competition 2007, British Flute Society's Needham Piccolo Prize, Gold Medal - Marlow Music Festival, overall prize at the Glasgow Music Festival, Concerto Prize- Sutton Music Festival, Ian Fleming Award- administered by the Musicians Benevolent Fund, The Countess of Munster Musical Trust Award, Sir James Caird's Trust Scholarship and for her final recital, the Laurie Kennedy Memorial Scholarship.

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